A Lemon and a Knife, the Primaries

A Lemon and a Knife, the Primaries

A Lemon and a Knife, the Primaries6×8″Oil on Linen Panel© Kelly Medford, 2012At some point while working on this painting, I stepped back realizing that this was a painting about the primary colors with a balancing neutral middle tone inbetween.What does it mean? Why did I do that?While of course I have no real answer, it did occur to me that last month I spent a day at a Mondrian exhibition here in Rome which showcased his progresssive periods throughout his life’s work and I was left fascinated,with quite a lot to think about.Even though he is most remembered for his primary colored “grid” paintings, Mondrian started out as a landscape painter and in his winding path became of of the founders of the DeStijl movement. What I had never really considered is that all long he was a landsacpe painter, searching for his expression and an efficent or true expression of this. What some might simply call “grids” or “squares” were paintings rooted in a deep tradition of landscape painting.In looking through some of his work online, I realized that I hardly ever (if ever) found a piece that places red in the bottom left corner as I have done in my compositon. In mine it seemed to work and to offset the rest of the painting. In his compositions, like mine, the red is often a proportionally large shape, but he often balances with white and solid black lines.Of course Mondrian and I don’t really have anything in common, or do we? I too am searching for something, and am not quite sure what, in landscape painting, or in any and every painting. I too am searching for a synthesized way to capture the landscape.His search took him to experiement with many styles and media, he was greatly influnced by Fauvism,  Cubism and then jazz, going on to find his own way and make and discover his own “style” or voice, while always being influenced and effected by those around him.I don’t know what this means for me, and where my path is leading me, but it never hurts to stop and think about and to pay homage to the greats who came before us.If you like this painting and want to own it, click here to bid on it.

3 Comments
  • Robert Leedy

    February 20, 2012 at 12:02 pm

    Kelly, I saw a retrospective on Mondrian in Paris some years back and was wowed by his early works. The show tracked his early landscapes and the evolving abstraction that led to the work we are more familiar with when one thinks of Mondrian. Those early paintings of windmills were incredible: very representational but loaded with very interesting color – one could see that he was experimenting with color and it was very satisfying to me to see that his journey through art had run a full course. I came away from that show with a greater understanding of Mondrian’s impact on the art world.

    The accompanying book I picked up at the show is also wonderful. Thanks for jarring my memory!

  • Princess Rashid

    February 20, 2012 at 2:16 pm

    Kelly, I too share you sentiments on Mondrian. For me it was, Cezanne, Van Gogh, Kandinsky and Mondrian that really set the stage for my painting journey.

    I think because of them we, modern painters, understand intuitively the emotive power of color.

    I like the red and its placement in your painting. It works even on the psychological level. It suggests that there is more going on…

  • Kelly Medford

    February 23, 2012 at 10:15 am

    Hi Robert and Princess, thanks so much for sharing your thoughts and expreiences- it’s good to know the impact that Mondrian has had on you both as well. For me it was an unexpected surprise!

    By the way, I hope to be in Jax at the end of April, hope we can get together to go painting?!

    Kelly